We then see a leg shot of Team Bucciarati at the docks outside the church, each member walking toward the boat to openly rebel against Passione in the order of Giorno at the front, then Abbacchio, Mista, and Bucciarati. Bucciarati's hand is shown holding Trish Una's as her own hand is severed off-screen, before cutting to Bucciarati's face twisted in anger as he lets out a scream of rage, as the camera fades into a wide shot of the San Giorgio Maggiore belfry seen from the clouds. The animation cuts to a scene of Bucciarati in the elevator with the level indicator translucent in the center of the frame and a zipper unzipping over Bucciarati to change him to a different color palette. The camera then focuses on Giorno's determined face as dawn breaks behind him. The scene fades into the showdown between Narancia and Formaggio, then Pannacotta Fugo seeing Illuso and Man in the Mirror inside of a mirror, Pesci hooking Prosciutto as Bruno Bucciarati drags him out of a speeding train, Giorno fighting Baby Face and Melone, and Giorno again holding the wounded Mista with Ghiaccio in White Album at the foreground. Then inside Abbacchio's eye, Guido Mista battles Sale and Kraft Work. The camera zooms into one of Polpo's paintings and features Leone Abbacchio and Moody Blues facing Mario Zucchero and Soft Machine. The camera then rapidly zooms into the title, transitioning into many recollections of Giorno Giovanna and Team Bucciarati's journey thus far, beginning with Giorno standing in front of Polpo in his cell with his lighter and Black Sabbath besides him. The animation opens on a shot of a closed window, followed by an underling kissing his master's hand and then scenery of Venice in which the title fades in as the sun begins shining through the clouds in the background.
0 kommentar(er)
